Learning in Public at MASS Gallery
We are excited to announce our upcoming collaboration with MASS Gallery to present a new series of public performance art events and engagements, Learning in Public. Starting on September 22nd and running until October 28th 2017, 5 different artists and collectives will be in residency at MASS for one week each. During that period participants will present at least one public event. Please stay tuned to COTFG and MASS Gallery’s website and social media for information about event times/dates! We are looking forward to the residencies and seeing you there!
Check out the details here from MASS Gallery’s website….
There is a certain time in history when people take consciousness of themselves and ask questions about who they are…Do we exist?…To question our cultures is to question our own existence, our human reality. To confront this fact means to acquire an awareness of ourselves. This in turn becomes a search, a questioning of who we are and how we will realize ourselves.
— Ana Mendieta, Dialectics of Isolation (introduction), 1980.
It is only in relation to other bodies and many somebodies that anybody is somebody. Don’t get it into to your cotton-picking mind that you are somebody in yourself.
— Grace Lee Boggs quoting James (Jimmy) Boggs, Living for Change, 2016.
MASS Gallery is pleased to announce our upcoming program, Learning in Public. Conceived as a way of engaging with artists whose practices include live time-based events, Learning in Public is a series of discrete public performances, collaborations, and community engagements taking place in the gallery from September 22 to October 28, 2017.
Our series will feature a diverse myriad of artists including Mosaico Experiencia (ATX), Daphane Park (CDMX), Saakred (ATX), Dorian Wood (LA) and is presented in collaboration with COTFG, an Austin-based volunteer-run arts organization supporting creative expression and counterculture community.
The work presented by the artists in Learning in Public grapples and engages with such topics as gender identity, power, gentrification, the built and natural environments, spiritual realms and self-care. Performance art trades in the overlap between spectator and performer with an unorthodox approach which privileges fluidity over disciplinary borders. With the artist’s body and psyche at its center, coupled with time and space as its primary medium, this practice carries with it an increased sense of personal risk.
MASS presents this series without expectation or desired outcome with an emphasis on providing a safe space for audiences and performers to meet and engage. We want Learning in Public to be welcoming, and we encourage everyone – artists, visitors, and collective members – to be proactive in creating an atmosphere where the safety of others is validated. Please stay tuned to our website and social media feeds for announcements about scheduled events and open gallery hours.
SEPT 22 – 28, 2017 // COTFG: Failure School
SEPT 29 – OCT 6, 2017 // Mosaico Experiencia
OCT 7 – 14, 2017 // Daphane Park: Let’s Meet in the Mineral World
OCT 15 – 20, 2017 // Dorian Wood: Austin 1017
OCT 21 – 28, 2017 // Saakred: TRANS: Act One
Mosaico Experiencia (Austin, TX) is an intersectional, transcultural instillation for black and brown body memory, ancestral activation, and cathartic evolution.
Daphane Park (CDMX) creates conceptual projects, spaces for transformation, and collaborative performance experimenting with energy and healing ritual. Park’s work maintains the sensibility of her beginnings as a painter and a poet. Her work is an inquiry into mythical realms of humanity and highlights a need to question the basic categories and values through which we look at societies today. This is in part an expression of unifying opposites such as science/spirituality, human/non-human, male/female, micro/macro, idealism/realism, and utopic/dystopic, especially in relation to the multiplicity of the forms of nature.
In many of Park’s recent sculpture and installation she works to create an energy field from layering carefully selected materials that emulate the accumulation of life itself. These ‘objects of performance’ she refers to as Superconductor, inspired by Wilhelm Reich’s research and discovery of Orgone, are designed to circulate life force energy for anyone to directly participate and decide for themselves.
Saakred (Austin, TX) pushes sound, corporeality, and political imagery to the boundaries. What began as an adolescent search for freedom quickly grew into a conceptual stage for testing the limits of vulnerability in public space. Through sensorial experimentalism and an intentional push against the heteronormative standards of male-dominated scenes, Saakred’s current work reflects the personal immediacy and urgency of gender deconstructive, reconstructive, and abolitionist narratives in both contemporary and archaic space. As a trans-identified artist, existence in the Liminal has become defining to their practice; that is, the life-long ritual of transforming the body to be closer inline to the spirit in a seemingly static world – and the expressions that follow.
Dorian Wood (Los Angeles, CA) began his musical education at a very early age, continuing his studies at Conservatorio de Castella in Costa Rica, and eventually making his way back to his birthplace of Los Angeles where he first gained exposure performing on the queer bar circuit. With a headstrong DIY discipline, Wood has brought his emotionally-charged performances to concert halls, museums, music venues and performance spaces throughout the US, Mexico, and Europe, with a voice that channels the skill and ferocity of such auteurs as Scott Walker and Nina Simone.
Founded in 2006, MASS is a collectively run nonprofit gallery and project space based in Austin, Texas. Consisting of a cast culled from Austin’s rich community of artists, writers, musicians and educators, MASS members jointly contribute to the daily operations and strategic planning of exhibitions, programming and events.
MASS Gallery impacts the creative culture of Austin by cultivating a physical space for open engagement with a multiplicity of interests and acts of art making.
Please keep in mind, some of the work in Learning in Public presents adult themes and publically engages with the human body in all its aspects. If you are concerned about bringing sensitive viewers that may find our content triggering, we urge you to explore the event descriptions and/or contact the gallery while planning your visit.
Everyone entering MASS Gallery is asked to be aware of their language and behavior, and to think about whether it might be harmful to others. We define oppressive behavior as any conduct that demeans, marginalizes, rejects, threatens or harms anyone on the basis of ability, activist experience, age, cultural background, education, ethnicity, gender, immigration status, language, nationality, physical appearance, race, religion, self-expression, sexual orientation, status as a parent or other such factors.